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00:22:07
36
like the spiders and the Bendu play a little bit of a vastness role
So you're seeing here almost a small reenactment
I wanted this kind of archetype of the warrior, Fenn Rau,
It's not a weakness to feel remorse, to cry.
Brilliant choreography by him.
And how to attack these portrayal
that Hera would be supportive of her and her reluctance to do this.
Kanan holding onto the saber there with Sabine,
I think little setback and injuries are a part of the learning process.
It's also very like all these characters, all these men in the foreground,
And here, in a very symbolic gesture,
but now he's at a clear disadvantage
But I thought the animation really sells that, the kindness in that moment.
They're just very old motif, to be honest,
a master and apprentice in training.
So this is kind of a classic Star Wars stance with a lightsaber,
But I think Bendu's always curious of his surroundings
Your anger is often followed by tremendous regret and remorse.
She overstep, and Kanan gets rather aggressive,
who was the first Mandalorian that was ever induct
She empathize with Sabine,
That's what that little damage there. It also frustrate her.
There's a real risk here for him that if she unleash this anger,
that would later be animate by Justin Ridge.
original lightsaber combat as he envision it in A New Hope.
it also undermine her in Kanan's eyes.
as she just gets absorb into this emotional state
and kind of apologize and say, "Let's start over."
Something that inspire me for that shadow play would probably be
It fuels the render,
the environments very believable and integrate, the ground plain,
He's overcome a lot of things himself,
You'd think like, "If you tap into your anger..."
I think it was very important that both characters admit
You gotta get burn a little bit, this isn't a perfect thing.
And I just threw a little Bendu in here, I think, as just the observer again.
and could move them all around acrobatically,
But what Kanan's doing here, unfortunately for him dangerously,
They're also technologically savvy and advanced.
because he's actually inward about himself and his own concerns,
But he's reacting emotionally
He could barely, in some ways, teach Ezra in the long run,
are one of the more difficult props to make because, ultimately,
and mocking her basically because she's a girl.
But what Kanan's doing here, unfortunately for him dangerously,
and starting properly and with more formality.
and learns about what's truly troubling her, what's blocking her.
a couple months earlier about this episode,
sometimes you know it, sometimes you don't.
which will become a bigger theme as we go forward in the episode.
especially towards Sabine.
I added really late in the stages of the story
this almost inquisition.
while I was actually visiting the set of Episode VIII.
and the danger of it, he's being overprotective of her.
Mandalorians are prideful, brilliant warriors in their own right.
a good character, but he's often gruff on the outside.
Steward Lee, the episodic director on this episode,
and believable and based on some reality.
He just thinks he's being a diligent master
And I know he's very adept at sword play and martial arts,
but also it's reflective of his actual reluctance to let her train,
and that was really inspirational for me.
that Hera would be supportive of her and her reluctance to do this.
surprising Jedi with technology and then cutting them down,
Your anger is often followed by tremendous regret and remorse.
She oversteps, and Kanan gets rather aggressive,
But I think Bendu's always curious of his surroundings
but she's also cutting through to the bare facts of the thing.
So she's a bit surprised
Mandalorians are prideful, brilliant warriors in their own right.
I was very careful about how Hera would react in this scene.